Asian: Because I am. Girl: Because I look like one. Professor: Because I want to be.
Wednesday, March 31, 2010
Cheap and Vain
Monday, March 29, 2010
How to Become a Professor (When You Don't Know What You Are Doing): Lesson 2-- Work Ass-Backwards
Thursday, March 25, 2010
Asian Girl Prof, PhD
Sunday, March 14, 2010
Skin Deep
I have quite a few girly weaknesses: shoes, handbags, boys who tell me I'm pretty... But as I get older, I find myself spending more money on something that directly feeds into my vanity: skin care.
Saturday, March 6, 2010
On Police Brutality
I've been fielding a lot of backlash rhetoric over the protests on March 4th. I had expected as much. I can understand why the students not participating in the protests would be pissed about facing blocked roads, late buses, and canceled classes. I fully expect that most people don't know enough about the history of social movements in America to accept that disruption is a necessary part of protest, especially when you're dealing with fighting a structural problem. I understand, too, that images of students facing police officers isn't one that will get most of the general public behind the cause. But the general public has never been behind any campaign for social justice, really-- Whether we're talking about women's rights, civil rights, or workers' rights, activists who ended up on the right side of history were in the minority during their day, and faced backlash from their peers as well. Still, even knowing that I can only convince so many people of the merits of direct action, I'm still going to try.
A friend in the Aggie TV video linked above (one of the most lucid and committed actors at UCD this year) says that by blocking the freeway, the cops are just doing their jobs. She is exactly right. That is the structural situation.
But what does this mean?
A sequence: with March 4 approaching, structural antagonisms seem to contribute to the eruption of a series of hate crimes across the UC. The LGBTRC at UC Davis is vandalized. Anger at these crimes builds along with anger at the exclusionary logic of the UC budget cuts. On March 4 one of the most active staff members at the LGBTRC, Laura Mitchell, plays an important role in protest actions (as she has in past actions). The cops apparently target her for arrest. At 7:06-7:07 of this video, while she is already lying on the ground after having been clubbed, punched, and kicked, one of them deliberately reaches for her head and smashes it against the pavement, hard.
Obviously this is totally unacceptable. Obviously the officer in question should be identified and prosecuted to the fullest extent of the law. But the paradox of state power is that the fullest extent of the law also includes his action. In all seriousness: this is also the police just doing their jobs. And that recognition should be our starting point in tackling the question of 'police brutality.'
The rhetoric of police brutality is important, because it brings to the fore the university's reliance upon the repressive apparatus of the state to impede collective resistance and to beat individual political actors into submission (though this hasn't worked, in most cases, this year - students and workers HAVE NOT submitted in the face of police intimidation and violence).
But police brutality needs to be recognized as the rule, not the exception. Any determined and principled resistance to violence, intimidation, exclusion, and oppression (whether those operate through the exclusionary logic of the university, or elsewhere) will be met with more of the same - intensified to an unbearable degree, as at 7:06 of this video. Smashing someone's head into the pavement the moment they resist is STANDARD PROCEDURE.
This doesn't mean the students should do anything they can to avoid confronting the police, as the liberal faculty of SAVE, for example, seem to think. It means that - insofar as one wants to force genuine structural change - there is no avoiding the constitutive entanglement of university policy with the brutality of the state. And that entanglement has emerged clearly, over the course of the year, as the necessary site of resistance. The capacity of the police to repress the struggle to transform the university - and to repress the passage of that struggle beyond the university - cannot be accepted as an unalterable fact. It has become increasingly obvious that the capacity of the movement, in its various manifestations, to press through police repression, is the condition of possibility for any real transformation of the university and the structures in which it is embedded (and reproduces).
That's why I think the moment in this video when students press through the police line and continue forward is the most moving and important thing - the most NECESSARY thing - that has happened all year. And that's why, for me, the incredible courage of everyone in this video, and of their counterparts in Oakland, and of everyone else who fought back on March 4, has become the very substance of Spring.
Friday, March 5, 2010
Thursday, March 4, 2010
March 4th Day of Action
Monday, March 1, 2010
The Limits To My Fierceness
Oh yes. That's the Lea Michelle cover of the Barbra Streisand classic, "Don't Rain On My Parade" from the super cool series, Glee. Apparently, when I'm not pretending that I'm a black woman, I'm pretending that I'm a gay man.
Now, this song is not lacking in fierceness. I mean, you don't want to mess with Barbra Streisand. She will cut you. And there are few moments in music recording history more tingle-inducing than when she belts, "Hey Mr. Arnstein, HERE I AAAAAAMMMM!!!!" Those pipes are no joke.
Still, this is not a ringtone that inspires awe and admiration. Nor is it one to be used on campus. Last week, I was in my office hours with three students who wanted help on their research papers. I had forgotten to put my phone on silent, and all of a sudden comes blaring, "Don't tell me not to live, just sit and putter..." My students immediately recognized it and exclaimed, "Glee!"
Maybe that scored me some coolness points with my apparently very dorky students, but still, that was kind of embarrassing. Though perhaps less embarrassing than had I said, "Yes, but have you seen Funny Girl with Barbra Streisand???"
This is how I know I will never be cool. After I shared with my brother the website that my friend shared with me, Audiko.net, we immediately started a war of sending each other embarrassing ringtones. His first hit for me: "Souper Trouper" by ABBA. But not the ABBA original. The cover from the embarrassingly bad movie, Mamma Mia!, featuring Meryl Streep. For some reason, my brother takes great delight in the idea of me having to listen to, "I was sick and tired of everything, when I called you last night from Glasgow..." every time someone calls me.
I think I trumped him, though. This was my gift/revenge: